Monday, October 18, 2010

New Publication - Word Riot

October Issue of Word Riot has been released, containing my ode to the great Charles Mingus, titled, "You Name Repeats Like Marching Elephants." He was a amazing bass player as well as a composer. He contained a great anger that built up inside, and through music, he let it all pour out onto the stage and his life. Please follow the link or click here to read my poem and the current issue of Word Riot.

Also, the poem references the great poet, William Matthews. Please follow the link to visit his poem (which served as inspiration) about a confrontation with Charles Mingus. The poem is titled, "Mingus at the Showplace."

Side note, if you have not listened to much Mingus, might I suggest one of my favorite albums: The Clown.

Wednesday, October 6, 2010

New Publication - The Blotter

For those in North Carolina, please pick up the October issue of The Blotter. October's issue features two of my poems, "Homecoming Game" and "My Grandpa Reminds Me of Charles Bukowski." For those that are not in North Carolina, you can visit their website or click here to be redirected to the October issue in PDF.

Saturday, October 2, 2010

The Reaper and How the Poem Ends.

The Reaper is "the great deleter, the one who determines when the story ends."

This line comes from the first essay in a collection of essays taken from the now defunct, narrative literature journal, The Reaper. These essay s were written by poets, Mark Jarman and Robert McDowell between 1980 and 1989.

I felt that I have ignored my small audience and wanted to share this collection of essays. This past year I have been looking into language and how it creates distance from speaker. Poetic devices such as rhyme and alliteration, while useful in poetical context, can also create distance. Much of my own work is narrative, and after discussing some of these ideas of narration, speaker's distance, and language with my colleagues, I was given the suggestion to read The Reaper Essays. I am grateful for the suggestion.

One thing I find interesting is what The Reaper call its "Non-negotiable Demands." For the sake that I hope this jumps your curiosity, they are listed as followed:

  1. Take prosody off the hit list.
  2. Stop calling formless writing poetry.
  3. Accuracy, at all costs.
  4. No emotion without narrative. (This is my favorite.)
  5. No more meditating on the meditation
  6. No more poems about poetry.
  7. No more irresponsibility of expression.
  8. Raze the House of Fashion.
  9. Dismantle the Office of Translation.
  10. Spring open the Jail of the Self.
Below are some of the covers:

If you are interested, I have included the link for The Reaper Essays below.